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<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" article-type="research-article" dtd-version="1.2" xml:lang="en">
  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id" xml:lang="en">Literature of the Americas</journal-id>
      <journal-title-group>
        <journal-title>Literature of the Americas</journal-title>
      </journal-title-group>
      <issn publication-format="print">2541-7894</issn>
      <issn publication-format="electronic">2542-243X</issn>
      <publisher>
        <publisher-name xml:lang="en">IWL RAS</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">https://doi.org/10.22455/2541-7894-2025-19-88-103</article-id>
      <article-categories>
        <subj-group subj-group-type="article-type" xml:lang="en">
          <subject>Research Article</subject>
        </subj-group>
        <subj-group subj-group-type="heading" xml:lang="en">
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>Stephen King and the Contemporary Literary Canon: Strategies of Institutionalization and Legitimation</article-title>
      </title-group>
      <contrib-group/>
      <pub-date pub-type="collection">
        <year>2025</year>
      </pub-date>
      <permissions>
        <copyright-statement>Copyright © 2026, IWL RAS</copyright-statement>
        <copyright-year>2026</copyright-year>
      </permissions>
      <abstract>This article analyzes the institutional mechanisms through which popular literature becomes part of the contemporary literary canon. Using the case of Stephen King’s transformation from a marginal horror writer to a recognized figure in the academic and cultural mainstream, the author identifies three key strategies of institutionalization: self-legitimation, media recognition, and academic reception. The proposed distinction between canonization, legitimation, and institutionalization, along with the introduction of an analytical model of institutional strategies, constitutes a theoretical contribution to current studies of the literary canon in the postmodern era.</abstract>
    </article-meta>
  </front>
  <back>
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  </back>
</article>
