Issue:

№8 2020

УДК / UDK: 82-991
DOI:

https://doi.org/10.22455/2541-7894-2020-8-491-496

Author: Irina V. Morozova
About the author:

Irina V. Morozova (Doctor Hab. in Philology, Professor, Russian State University for the Humanities, Moscow)

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Abstract:

The review outlines the major topics of the conference on Afrofuturism in the framework of the ZORA! Festival of Arts and Humanities which took place on January 25 – February 2, 2020 at the UCF, Orlando and Eatonville. The term Afrofuturism was created by Mark Dery in 1994 in relation to speculative fiction. Since that time the term has got a lot of different meanings as a literary and artistic movement, a philosophical view, and a mode of epistemology. The conference presentations put all the problems of the modern understanding of Afrofuturism in the framework of the historical and cultural experience of African Americans. The guest speaker was Ishmael Reed, an American novelist and poet.

References:

Afrofuturism 2:0: The Rise of Afro-Blackness, eds. Reynaldo Anderson, Charles E. Jones. New York; London: Lexington Books, 2016.

Brooks, Kinitra. The Lemonade Reader: Beyoncé, Black Feminism and Spirituality. New York: Routledge, 2019.

Dery, Mark. “Black to the Future: Interviews with Samuel R. Delany, Greg Tate, and Tricia Rose.” The South Atlantic Quarterly 92:4 (Fall 1993): 735 –788.

Flame Wars: The Discourse of Cyberculture, ed. Mark Dery. Durham, NC: Duke University Press, 1994: 179–222.